Have you ever felt that theres something wrong with this world? Have you ever felt you know something, and that what you know you can’t explain? Now you can. Sort off…

Click here to watch the video tutorial

Some time ago I needed to create the raining code look as seen in “The Matrix” movie, so I started to google for ready to use projects, but found nothing of value that I could use in my work… So I had to create my own. Watch this tutorial to learn all about it.

My first instinct was to use Trapcode Particular along with some custom particles to create the look I was after, but I quickly found out, that it’s just not going to cut it. The raining code has some very distinct look to it and the key to making it look good was to really pinpoint what was happening with the falling letters. Here’s what I found out after watching the original design as seen in the movie:

• There are two types of letters: leading, and following (after vision letters)
• The leading letters are brighter than the others
• The letters fall down in columns at different speeds
• One column can have multiple leading letters falling at different speeds
• Both leading and following letters change chars at random points in time (out of sync)
• The amount of the following letters is random (tail length)
• The letters always move a given amount of pixels (letter height)

As far as everything on the list above could probably be achieved using Particular to create the look, the last point would be really hard to do. In theory all of the points above could be done, however it would take a lot of calculation to get the parameters of Particular just right, so I figured to change the approach a bit, and instead of having a “leading letter particle” spawn “after vision particles”, I decided to build a grid of letters, and then use Particular and Mosaic effect to reveal them. That way I could focus on the look, speed, timing and other “artistic” aspects of the work, and not think about how to set up Particular.

At the end of the tutorial you will also see how to change the color of the leading letters using the Threshold effect. What I forgot to mention is that you can of course play with the Threshold parameter changing the range of letters that are being treated as “leading letters”. Give it a try. It can create some really awesome looks.

Download: Tutorial project file (After Effects CS4)

If you ever struggled with your After Effects 3D camera than this tutorial is for you. Learn to rig your camera in seconds or buy a my script that will do it for you.

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Get Simple Camera Rig Script 1.0 (CS3) for only 14.90 USD

I don’t know about you my friends, but each time I’m thinking about using After Effects camera I get the shivers. It’s good for panning and zooming, but once you start to make a more classy and smooth motion, or you want to sex it up a bit with some curves you get into trouble. You need to keep track of zoom, point of interest, position, orientation and rotation keyframes all at once. We should be very grateful for Separate Dimensions feature in After Effects CS4, but it does not solve all the problems.

In this tutorial I will show you a technique that is widely used in camera animation by many artists that work in 3D Studio Max, Cinema 4D, or any other 3d application. I hope it will open your eyes on the subject of camera animation, and that you’ll start making your own more complex rigs. Good luck. Enjoy the tutorial.

And for those of you who don’t have time to build the rig each time you need to use it here’s a handy script that will set up the camera and the rig for you. Enjoy!

Get Simple Camera Rig 1.0 (CS3) for only 14.90 USD

Check this tutorial out and learn more about Adobe Pixel Bender technology and start making your own plugins.

Click here to watch the video tutorial

This tutorial is a bit different from all the others here, however I’m placing it in the After Effects category, because it’s very closely related to After Effects. In this tutorial I’ll show you what a Pixel Bender plugin is, how it works, and we’ll finish off by creating our own, very simple cropping plugin for After Effects CS4.

Sure we can crop any layer with a Mask tool, but on the other hand animating mask points might be painful sometimes, especially when you try to animate it using expressions or some tracking data for example, so having a nice and simple cropping plugin in After Effects is not a bad idea after all.

If you’ll find this tutorial interesting make sure to visit Adobe Labs for the latest version of Pixel Bender Toolkit. You’ll get a full documentation and a few examples with your download to get you started. Good luck!

Side note
If you like the article graphics (click on the thumbnail to view full size) then know that it was created with my CE Screenify and ChromAberration plugins. Make sure to check them out.

Update
If you got interested with Pixel Bender then you probably would like to read Pixel Bender and aeUIControls post.

Download: Simple cropping Pixel Bender plugin (After Effects CS4)

Problems with overerexposed footage? Need to work in 32bpc for nice depth of field and motion blur? Now you can! Convert your footage from 8bpc to 32bpc with my new free plugin.

Click here to watch the video tutorial

We all deal with overexposed footage from time to time when doing postproduction, color correction, motiongraphics or visual effects. Usually theres not much we can do about it. In some cases we can replace the sky when it was a cloudy day and the clouds turned out looking like a white or gray solid. But what if the overexposed pixels are exactly what you need? Well… than you need to do nothing… until you start blurring the footage or adding color correction. In those cases you end up with areas that turn out gray while they should still be white. That causes a lot of additional work when compositing. At least that’s how thighs were until now.

Bitwiser is a concept I had in mind for quite some time that just came to life as Bitweiser Light Pixel Bender plugin. This “light” version is completely free, has no settings, and only works for overexposed areas converting them to superbright pixels in 32bpc mode. Let me know what you think of it, so I’d know if it’s worth spending more time on improving this solution. The Bitweiser Pro version (if it will ever be made) will have a bunch of settings for tweaking the looks, threshold, tinting colors, separate settings for highlights, midtones, shadows, and probably a lot of other features that did not yet came to my mind.

I’m always hungry for your comments, opinions and suggestions. Please enjoy this free release and let me know what you think.

Download: Bitweiser Light Pixel Bender plugin (After Effects CS4)